Sally runs a mobile "pirate" radio station–which she operates from her van–the place, in her horny and sultry voice.Although I'm fairly nicely-versed in American hardcore pornography of the '70s and '80s, I was till not too long ago a digital ignoramus as far as its sexploitation counterpart's involved. Contemplating that the specific stuff represents a logical extension of these simulated sex options, I felt like I was missing out on some essential information to assist me totally perceive this most peculiar kind of cinema a hundred and fifty; as soon as reviled, now begrudgingly acknowledged ; can full-fledged reverence be far behind ? a hundred and fifty; so pricey to this outdated codger's coronary heart. So to additional my education, I turned to a few of the extra notable titles unearthed by One thing Bizarre Video's formidable Mike Vraney, my urge for food duly whetted by the esteemed Casey Scott's rave reviews on www.
dvddrive-in.com. I knew of prolific filmmaker Pete Perry a/ok/a "A.
P. Stootsberry" of SECRET SEX LIVES OF ROMEO & JULIET infamy by fame only. These Southern fried hillbilly haystack romps he made for huckster producer Harry Novak as "Bethel Buckalew" (an actual crew member of Perry's who graciously volunteered his title as an alias), together with THE PIG KEEPER'S DAUGHTER and COUNTRY CUZZINS, regularly turned up at my local now long gone pores and skin flick theater, the fondly remembered Ritz cinema one hundred fifty; which closed its doorways for good within the Spring of '85 – as soon as brazenly facing the uppity town theater proper right here in Bruges. Amazing The Dirty Mind of Young Sally
With the reassuring presence of awesome adult actress Colleen Brennan (again in her "Sharon Kelly" days) as some form of safety blanket, I ventured forth and watched THE DIRTY MIND OF YOUNG SALLY ! Preliminary analysis had prepared me for Perry's propensity for low forehead humor blended with copious, not quite all the way but close nudity, so I was type of expecting SMOKEY & THE BANDIT with T&A which is actually a fair approximation of what this flick has to offer.. A sweet little receptionist during workplace hours, Sally McGuire (Colleen) operates pirate radio station KLUV from the back of a van 3 times a day (noon, 5 and late night), talking dirty and spinning attractive tunes to stimulate listeners, aided by trusty technician Toby, engagingly portrayed by the late George 'Buck' Flower whose career encompasses anything from tons of sexploiters to John Carpenter motion pictures like THEY LIVE and his VILLAGE OF THE DAMNED remake ! Making an attempt to stay out of the cops' clutches, who want to rid the airwaves of such smut, supplies a lot of the laughs with bumbling Sgt.
Dimwhittle (bespectacled Norman Fields, who supported Uschi Digard in Joe Robertson's affable TOUCH OF Sweden) thwarted at each flip. As some sort of backhanded stab at "socially redeeming value", Sally's only doing the dirty in each phrase and deed so she can elevate enough cash for Miss Susie's kidney transplant, although simply who that's supposed to be is conveniently forgotten all about in the subsequent deluge of bared flesh ! Just in case you were still laboring beneath the delusion that dirty movies by some means had more plot back after they sold you the sizzle as a substitute of the entire steak (to cite the great Dave Friedman), here's a little bit quantity with a premise as threadbare as any wall to wall fornication marathon. This should not deter fans nonetheless, as there's loads of beautiful epidermis on show.
Brennan's both stunning and bountiful (she would seem as certainly one of Russ Meyer's SUPERVIXENS, in any case) and already a pretty good actress besides. Regardless that the underwritten part doesn't exactly take a look at her mettle, she has a nice rapport with Flower who even will get to plunder her booty in a single surprisingly sensual encounter ! The brunette on the seaside is tragic starlet Sandy Dempsey, who was killed in a freak boating accident within the Gulf of Mexico in 1975. Together with her trademark butterfly tattoo on her right thigh and fetching overbite, she was a preferred presence in early '70s flesh fare, crossing the penetration barrier on many occasions such as Richard Robinson's magnificent MARRIAGE AND OTHER FOUR LETTER WORDS. The two blondes with the stupefyingly homely guys (recipients of some surprisingly graphic penile manipulation) are Penny Boran from Roger Gentry's convincingly squalid SLEAZY RIDER and porno pioneer performer Nancy Martin who was in such delectably titled hardcore efforts like HITLER'S HARLOT and TALE OF BEARDED CLAM ! Gay and feminine viewers may despair of the shortage of good-wanting male expertise, what with even saggy Flower and nerdy Fields getting in on the act.
Presumably, as there was no dearth of enticing guys around the trade, this was all a part of Perry and Novak's modus operandi, matching the ravishing with the ridiculous, each for comedian impact and audience reassurance. The sole respectable-looking chap is John Paul Jones, star of Donn Greer's GODDAUGHTER, attempting to make out with prim 'n' correct Robyn Whitting (from Friedman's EROTIC ADVENTURES OF ZORRO) in the back seat of a convertible. Perhaps I used to be anticipating too much from my first sexploitation foray. Whereas a superb time appears to have been had by all, I had hoped for one thing conceivably lost once close-up penetration turned the norm, that innocence champions of simulation ceaselessly seem to bemoan. Instead, this principally feels like porn with out the inserts and, while definitely pleasant enough in its own proper, hardly something to get all worked up about.